Apply the concept of Marxism to your AS Coursework production.
For my AS Media
Studies Coursework, I created and produced a three minute moving image sequence
that was to be representative of a segment from a potential film. Marxism in
the realm of media is identified through different variables, such as a
hegemonic view of society. This specific view of society entails the
fundamental inequalities in power experienced between differing social groups. With
a Marxist view of society, it could also be argued that representations are
encoded into mass texts to reinforce dominant ideologies. The way in which my
coursework reinforces dominant ideologies surrounding the notion of the
supernatural is seen through the conveyance of a ruthless and immoral
protagonist who is incidentally a vampire. Various frames exhibit this ruthless
creature, more notably through close up camera angles to show the lust for
blood and the remorseless attitude - thus reinforcing the archetypal image of a
vampire who is depicted as dominant, shocking and remorseless through many
supernatural films. However, as the narrative of my product unfolds, we see a
subversion in the stereotypical attitudes of the vampire, as it transitions to
more of an intelligent and helpful figure. Although we can argue that the main
intention of the media is to reinforce and circulate dominant ideologies, it
can also be a catalyst for the diminishing of these ideologies by undermining
them and through subversion. In this case, my product exhibits examples of
both, making the product unique as it shows two parallel views.
As my
aforementioned point states regarding a hegemonic view of society, the power
struggles between different social groups are witnessed between the vampire and
the victim within my product. Although, there is a transferal of power as the
victim then becomes the predator – does this reflect attitudes within a
hegemonic society? In this case, I argue that it doesn’t reflect the attitudes
of a hegemonic society, as my product doesn’t blatantly explore the way in
which the ruling capitalist classes protect their financial and economic
interests, as my product is founded upon supernatural fiction – something of
which doesn’t tackle this fundamental view of society. However, the economic
differences through materialism may be inferred through my media text. Various
camera shots of the protagonist (the vampire in the first instance) show him to
be adorned in baggy and tattered clothing, which is most reminiscent of the
working class. Contrastingly, a wide-angled mid-shot captures the secondary
protagonist (who will later become the final vampire) wearing jeans and a smart
top and walking whilst interacting with an iPhone. This is a clear distinction
of social class between the two protagonists, highlighting the higher status of
the latter character.
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